Lada Kozlova

Mixta is a contemporary sans-serif typeface with characteristic and defined features. This font was inspired by the idea of mixing different types of terminals in order to give the font a singular appearance. Its design is composed of diverse styles such as Didone and contemporary faces.

Create unique designs by combining any of the upright weights with matching italics. Mixta includes Cyrillic support, small caps, different types of figures and a wide variety of alternates.

Mixta comes with a set of 1,200 characters that support over 200 Latin-based languages. This font was specially designed for branding, advertising, editorial design, and use on Tv and social media.

Say hello to the new workhorse for packaging and advertising design! Chonky — playful version of chunky — is a bold script font based on the former English calligraphy but with touches of the vitality that the commercial lettering of 1950s had, and it is mostly inspired in the work of the master Doyald Young and his lessons. Following the advice where he explains that boldness requires simple forms, this modern typeface wasn’t designed to imitate calligraphy but it was typographically thought, being as minimal as a script could be. The eye was put on legibility as well as on spacing and connections, which were specially cared, as it is usual in all Typesenses’ scripts. The upright axis makes the curves slower while the rounded terminals give a warm look. The ascenders, descenders and capitals are the shorter they could be, mostly in the Regular style. The Poster font, has larger ones in order to achieve more graceful forms. Both options include stylistic sets and ligatures to embellish the words. Just keep the Standard Ligatures and Contextual Alternates features always active and see how the typeface writes perfectly while having fun with OpenType alternatives (*). Additionally, Chonky has extensive Western, Central and Eastern European language support. 

Due to its classical base mixed with modern touches, this is a typeface that will live for decades instead of fading away with fashion.

(*) Take a look at the User Guide to see all the features available.

The family contains two fonts - charged with OpenType features vintage soft serif and a sans serif with corresponding forms and softness.

Serif: Grandma’s sweet and soft recipe with more than 1300 ingredients (lots of alternates, swashes, ligatures and design elements). This font takes it’s inspiration from Goudy, Windsor and Bookman typefaces. Watch the video showing the font stylistic alternates and swashes in action https://youtu.be/_MHNizwq1bM

Sans serif: Soft and friendly, it is a simple 1970s inspired geometric grotesque to use as a support font with Praliné Serif or any other serif or script font of your choice.

Both fonts fully unicode mapped so can be used in any application.

Get your designs look 1970s!

Yuge, apparently, is how New Yorkers pronounce huge. I have never been to New York, so I can’t tell if this is a fact. But I often hear a certain New Yorker pronounce it that way, so I guess it’s sort of true.

Yuge is a handwritten font - made with a Sharpie pen.

Believe me, it is a good font. It is fantastic. It is the best font ever. It is YUGE! ;-)

JT Energy is a new in 2020 interpreted geometric type with optically consistent line thickness and an interesting look and feel. This type is inspired by designs from Paul Renner and Arno Drescher and was long developed until it was something own.

The family is equipped with

7 cuts — light to heavy —

2 extra versions “Placard” to set very large

stylistic alternates with letterforms that are round-edgy

alternates with flat diacritics

standard and oldstyle figures

and a variable font

What makes this type unique is the slanted, edgy-sharp M, a new S and a wide f.

Amazingly designed for a solid appearance in a branding project, magazine, packaging, website, letterhead, business card and the daily commercial jobs.

— —

Graphic design by Salzmann Gertsch, Switzerland.

“We think the Energy has a great style and it’s also fun to design with it!”

Ferrara™—Bodoni's Premier Display Font

From 1750-1806 Bodoni made some of the greatest fonts of all time.

These fonts were all but forgotten except in rare books rooms and in vaults underneath our most prestigious universities.

200 years later, the CAL Type Foundry has brought back the very designs drawn by the master himself. Made for large sizes, every detail of the font has been meticulously preserved so that you can work with Bodoni's actual typeface.

3 Display Fonts in One

Bodoni's 1st Draft - A Transitional Font

Bodoni's Rework - A Modern Style

Informal On™ - Informal Mode by CAL Type Foundry

Includes:

• Bodoni's Tivoli a

• Sturdy Displays to Majestic Hairlines Fonts

• Drawn with Sfumato™ Technique, the closest thing to metal type

This display font has it all.

Brayhonest offers a wide range of options for creating logos, titles and titles. It is suitable for books, editorials, packaging, advertising, brand imaging and more.

Brayhonest includes Collection of Uppercase, Stylistic, Latin Based Language Support, Numbers and Punctuation. Set Stylistic is available in Uppercase and Lowercase.

Brayhonest is encoded with PUA Unicode, which allows access to all features without special design software. Mac users can use Font Books, and Windows users can use Character Map to view and copy extra characters to paste into your favorite app / text editor.

Vallenia comes with 2 Weights: Vallenia Regular and Vallenia love.

Vallenia is perfect for your work with love style.

It's very suitable for t-shirts, the web, love greeting cards, weddings, and many other projects.

Motoride is an authentic handcrafted lettering that transformed into a font. It was inspired by the world of custom motorcycles.

It's vintage style is suitable for every design which needs a timeless typeface, such as logotype, apparel, branding, packaging, advertising, Instagram quotes and more! This font features a wealth of OpenType features including alternate glyphs, ligatures, and swashes.

This font is multi-language and also PUA encoded which means you can access all of the alternate glyphs with ease. 

We hope you will enjoy the font, please feel free to comment if you have any thoughts or feedback. 

Carmensin is a beautiful humanist serif typeface created by Rafael Jordán. Designed in the 21st Century with all the flavor of the Renaissance. The conclusion of a story that began in Type@Paris program in June, 2015 & ended at February, 2020.

Inspired by historical models, its classic conventional appearance with small details, smooth curves, large x-height and open counters made of Carmensin a great, efficient and solid typeface for long text settings. Also, its bigger sizes styles show the beautiful shapes and contrast, exhibiting its exuberance.

Carmensin has a great collection of OpenType features that will satisfy any typographic necessity as ornaments, ligatures, stylistic sets, small caps, automatic fractions and more options along 3 optical styles (Text, Headline and Display) plus a fancy Stencil style. With an extensive Latin character set, Carmensin covers a wide amount of Latin-based languages, including Latin Plus encoding.

Volante is a gorgeous condensed sans serif typeface that comes with various stylistic alternates and discretionary ligatures. It comes with multiple weights, from thin to heavy, with 3 extra outline styles. This is perfect to sweeten up your headlines, branding visual identity, editorial, poster, and etc.

Chilok is a cool handwritten font that is also elegant and fashionable, which looks like a signature or logo, this font also has an alternative to beautify your design.

Chilok is perfect for branding, logos, business cards, posters, invitations, greeting cards, news, product packaging, blog posters, all including personal charm, etc.

Landre is a stylish and original multi-functional font that fits perfectly for both modern and vintage design. With it, you can create beautiful logos, labels, templates, signs, highlight text, use it for outdoor advertising, branding, and much more. Also in this font there are stylistic alternates, ligatures and swashes that will make your design even more attractive and interesting. It is easy to use and has OpenType features.

Muthiara is a beautiful script font and perfect for lettering project like cutting vinyl, silhouettes, t-shirt design, mugs, advertisements, book covers, posters, business cards, social media and more. It includes 51 ligatures, support for multiple languages and offers PUA encoding.

Majestic Romance is a gorgeous font duo consisting of a script and a sans serif font in two variation - regular and rough.

Majestic Romance is perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more.

Feature

• UPPERCASE
• Lowercase
• Numbers & Symbol
• International Glyphs
• Alternative UPPERCASE
• Alternative Lowercase
• Ligatures
• Swashes

If you need anything else or you require an upgraded license please contact dedukvic@gmail.com

Melania is a script font that is created by natural hand writing and gives you the feminine touch that you've been looking for. The irregular spacing brings the personal and unique feels which is very suitable for signatures, wedding invitations, fashions, headlines, quotes, and more. It also comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternates, ligatures, and more, as well as including multi-lingual support.

This font have 2 styles: Script and Monoline.

The Script version gives you feel the brush stroke with thin and thick.

The Monoline version gives you the consistency feel on every stroke, so it only has one weight from start to end, no weight difference.

Grown is a modern and clean display font. The design of typeface will make your design more beautiful and inspiring. This font will suitable for any project, like branding, print template, logo and more.

Features :

• Accents (Multilingual characters)
• 18 Ligatures
• 19 Alternates
• PUA encoded
• Numerals and Punctuation (Open Type Standard)
• Full Support

Behtab is a sans-serif font family designed by Naghi Naghashian in tree weights. Behtab Light, Behtab Regular and Behtab Bold. It is extremely legible even in very small size.

This font family is a contribution to modernisation the Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Behtab supports Arabic, Persian ( Farsi ) and Urdu.

It also includes proportional and tabular numerals for the supported languages.

Behtab design fulfills the following needs:

A   Explicitly crafted for use in electronic media fulfills the demands of electronic communication.

B   Suitability for multiple applications. Gives the widest potential acceptability.

C   Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bauhaus Arabic’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.

D   An attractive typographic image. Behtab was developed for multiple languages and writing conventions. Behtab Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages.

E   The highest degree of calligraphic grace and the clarity of geometric typography.

Kickers is a mix of vintage look and serif styles. The combination of beautiful letter and vintage style serif makes Kickers a versatile that can be used in many different themes of design projects. Available in two styles regular and outline are suitable and ready to be used together for your next design!

Kickers is well-suited for advertising, magazine, branding, logotypes, packaging, titles, headlines and editorial design. It was definitely fun putting together these laid back vintage vibes.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This font family only contain the bold weight, but there are also a stencil and expanded versions available.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This expanded version only contain the bold weight, however there are also stencil (Nouveau LX Stencil) and condensed version (Nouveau LX) available.