Lada Kozlova

Cocktail - elegant retro serif with an artistic touch. Specially designed for vintage, retro, elegant projects, perfectly suitable for creating simple, lifestyle designs such as logos, title, packaging, and more.

Classy Jazzy is a lovely serif font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out!

So what's included :

• Basic Latin A-Z & a-z
• Numbers, symbols, and punctuations
• Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß

Thank you

Bucolic is beautifully simple and static, yet classy and enigmatic. The softness of the font reminds one of the old countryside, a peaceful landscape that is being looked at by transcending the boundaries of time. It has a rustic feeling, and it stays true to its roots while also being very elegant and open to the sky.

What intrigued me about Buslingthorpe was the virtuoso challenge it presented, of designing a typeface that would, despite a ridiculously tiny x-height, still possess a coherent harmony betwen upper and lower case, and read confortably. At the same time, beyond pure plastic formality, I was aware that there are strong connotations of historicism in this noble style, with overtones of regal magnificence, on account of the extravagant leading and generous point size required for adequate visibility—in traditional letterpress printing such proportions, with so few characters per square inch, were pricey and devoured resources. There are two iconic early 20th century designs in the genre: Koch Antiqua (Rudolf Koch, Klingspor Foundry, 1922) and Lucian (Lucian Bernhard, Bauer Foundry, 1925). Both these have x-heights smaller than fifty percent of ascender height, which nominally defines the category. So I made these my benchmarks, and determined to outdo them in dramatic fashion. —Nick Shinn, Orangeville, March 2021

Prushkov is the first typeface that I made. Its name comes from the town I lived in at the time. The design was inspired by both geometric typefaces like Futura, and didone fonts like Bodoni. Its aim (perhaps quite bold) is to blend high contrast with mathematical excellence.

Prushkov will work well as a display font, both in uppercase and lowercase. It has a wide array of stylistic alternates for all of the capitals and some lowercase glyphs too.

Volkolak is the ultimate serif-sans-grotesque tribrid, its numerous cuts will give you many options to go crazy on typesetting! Volkolak is a workhorse type family, a living project. We will constantly update it and improve it to time’s evolving standards, adding features and correcting eventual compatibility issues as they arise. Updates will be free to download once the font/family has been purchased once.